{"id":15546,"date":"2026-01-11T15:16:22","date_gmt":"2026-01-11T14:16:22","guid":{"rendered":"https:\/\/profesordefrancesenmadrid.com\/?p=15546"},"modified":"2026-01-12T10:40:36","modified_gmt":"2026-01-12T09:40:36","slug":"culture-francaise-a-madrid-16","status":"publish","type":"post","link":"https:\/\/profesordefrancesenmadrid.com\/index.php\/2026\/01\/11\/culture-francaise-a-madrid-16\/","title":{"rendered":"Culture fran\u00e7aise \u00e0 Madrid"},"content":{"rendered":"\n<p><strong>Bonne Ann\u00e9e 2026 ! Et c&#8217;est reparti pour l\u2019agenda de la culture fran\u00e7aise \u00e0 Madrid du lundi 12 janvier au dimanche 18 janvier.<\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Bonne-Annee-206.jpeg?resize=790%2C444&#038;ssl=1\" alt=\"Profesordefrancesenmadrid.com vous souhaite une Bonne Ann\u00e9e 2026 !\" class=\"wp-image-15544\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Bonne-Annee-206.jpeg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Bonne-Annee-206.jpeg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Bonne-Annee-206.jpeg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><strong>Nouveau film fran\u00e7ais \u00e0 l&#8217;affiche en Espagne<\/strong><\/h3>\n<p><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2026\/01\/08\/nouvelle-vague\/\" target=\"_blank\" rel=\"noopener\"><strong>\u2192 \u201cNouvelle Vague\u201d de Richard Linklater, film relatant le tournage de \u201c\u00c0 bout de souffle\u201d de Jean-Luc Godard.<\/strong><\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2026\/01\/08\/nouvelle-vague\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Nouvelle-Vague.jpg?resize=790%2C444&#038;ssl=1\" alt=\"Sortie en Espagne du film &quot;Nouvelle Vague&quot; de Richard Linklater, relatant le tournage de &quot;\u00c0 bout de souffle&quot; de Jean-Luc Godard.\" class=\"wp-image-15540\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Nouvelle-Vague.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Nouvelle-Vague.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/Nouvelle-Vague.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><strong>Jeudi 15 janvier<\/strong><\/h3>\n<p><strong><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2026\/01\/11\/lhomme-qui-retrecit\/\" target=\"_blank\" rel=\"noopener\">\u2192 Avant-premi\u00e8re \u00e0 l&#8217;Institut fran\u00e7ais de Madrid du film &#8220;L&#8217;Homme qui r\u00e9tr\u00e9cit&#8221; (&#8220;El hombre menguante&#8221;) de Jan Kounen avec Jean Dujardin<\/a><\/strong><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2026\/01\/11\/lhomme-qui-retrecit\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"421\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/LHomme-qui-retrecit-couverture.jpg?resize=790%2C421&#038;ssl=1\" alt=\"Avant-premi\u00e8re \u00e0 l'Institut fran\u00e7ais de Madrid du film &quot;L'Homme qui r\u00e9tr\u00e9cit&quot; (&quot;El hombre menguante&quot;) de Jan Kounen avec Jean Dujardin.\" class=\"wp-image-15557\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/LHomme-qui-retrecit-couverture.jpg?resize=1024%2C546&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/LHomme-qui-retrecit-couverture.jpg?resize=300%2C160&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/LHomme-qui-retrecit-couverture.jpg?resize=768%2C410&amp;ssl=1 768w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/LHomme-qui-retrecit-couverture.jpg?w=1080&amp;ssl=1 1080w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"526\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/e27f820d-74b0-418b-bc9a-2a7a36e4a914-md.jpg?resize=790%2C526&#038;ssl=1\" alt=\"\" class=\"wp-image-15548\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/e27f820d-74b0-418b-bc9a-2a7a36e4a914-md.jpg?w=800&amp;ssl=1 800w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/e27f820d-74b0-418b-bc9a-2a7a36e4a914-md.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2026\/01\/e27f820d-74b0-418b-bc9a-2a7a36e4a914-md.jpg?resize=768%2C512&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><strong>Picasso + Klee<\/strong><\/h3>\n\n\n<p><strong><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/20\/picasso-klee\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2192 D\u00e9couvrez l&#8217;exposition \u201cPicasso y Klee en la colecci\u00f3n de Heinz Berggruen\u201d au Mus\u00e9e Thyssen-Bornemisza &#8211; Gratuit les lundis et les samedis (voir article). Jusqu&#8217;au 1er f\u00e9vrier 2026<\/a><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/20\/picasso-klee\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Picasso-Klee.jpg?resize=790%2C444&#038;ssl=1\" alt=\"D\u00e9couvrez l'exposition \u201cPicasso y Klee en la colecci\u00f3n de Heinz Berggruen\u201d au Mus\u00e9e Thyssen-Bornemisza de Madrid - Gratuit les lundis !\" class=\"wp-image-15411\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Picasso-Klee.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Picasso-Klee.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Picasso-Klee.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><strong>Matisse<\/strong><\/h3>\n<p><strong><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/09\/matisse-a-madrid\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2192 Exposition &#8220;Chez Matisse&#8221; \u00e0 CaixaForum Madrid : explorez les couleurs, les formes et l\u2019h\u00e9ritage du ma\u00eetre du fauvisme, de ses d\u00e9buts \u00e0 ses d\u00e9coupages embl\u00e9matiques. Jusqu\u2019au 22 f\u00e9vrier 2026<\/a><\/strong><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/09\/matisse-a-madrid\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Chez-Matisse.jpg?resize=790%2C444&#038;ssl=1\" alt=\"Exposition &quot;Chez Matisse&quot;, explorez les couleurs, les formes et l\u2019h\u00e9ritage du ma\u00eetre du fauvisme, de ses d\u00e9buts \u00e0 ses c\u00e9l\u00e8bres d\u00e9coupages.\" class=\"wp-image-15333\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Chez-Matisse.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Chez-Matisse.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/Chez-Matisse.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 class=\"wp-block-heading has-text-align-center\"><strong>\u201cDesenfocado. Otra visi\u00f3n del arte\u201d (\u201cFlou. Une autre vision de l\u2019art\u201c)<br \/><\/strong><\/h3>\n<p><strong><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/10\/17\/desenfocado-otra-vision-del-arte\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2192 L\u2019exposition \u201cDesenfocado. Otra visi\u00f3n del arte\u201d \u00e0 CaixaForum explore l\u2019usage du flou comme choix esth\u00e9tique, de Monet \u00e0 l\u2019art contemporain. Jusqu&#8217;au 12 avril 2026<\/a><\/strong><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/10\/17\/desenfocado-otra-vision-del-arte\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/10\/Desenfocado.jpg?resize=790%2C444&#038;ssl=1\" alt=\"L\u2019exposition &quot;Desenfocado. Otra visi\u00f3n del arte&quot; \u00e0 CaixaForum explore l\u2019usage du flou comme choix esth\u00e9tique, de Monet \u00e0 l\u2019art contemporain.\" class=\"wp-image-15207\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/10\/Desenfocado.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/10\/Desenfocado.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/10\/Desenfocado.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><strong>Derniers jours !<\/strong><\/h3>\n<h3 style=\"text-align: center;\"><strong>Andy Warhol + Jackson Pollock<\/strong><\/h3>\n<p><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/02\/warhol-pollock\/\" target=\"_blank\" rel=\"noopener\"><strong>\u2192 \u201cWarhol, Pollock y otros espacios americanos\u201d au Mus\u00e9e Thyssen-Bornemisza &#8211; Gratuit les lundis et samedis (voir article). Jusqu&#8217;au 25 janvier 2026<\/strong><\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/02\/warhol-pollock\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/WPCouve.jpg?resize=790%2C444&#038;ssl=1\" alt=\"D\u00e9couvrez gratuitement l'exposition &quot;Warhol, Pollock y otros espacios americanos&quot;, les samedis de 21h \u00e0 23h au Thyssen-Bornemisza.\" class=\"wp-image-15268\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/WPCouve.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/WPCouve.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/WPCouve.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><strong>&#8220;Robert Rauschenberg: el uso de las im\u00e1genes&#8221; \u00e0 la Fundaci\u00f3n Juan March de Madrid<\/strong><\/h3>\n<p><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/12\/20\/robert-rauschenberg\/\" target=\"_blank\" rel=\"noopener\"><strong>\u2192 \u00c0 l\u2019occasion du centenaire de sa naissance et avec l\u2019appui de la Robert Rauschenberg Foundation, cette nouvelle exposition se penche \u00e0 nouveau sur son \u0153uvre, en la relisant cette fois comme une pratique fondamentalement photographique &#8211; Gratuit. Jusqu&#8217;au 18 janvier 2026<\/strong><\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/12\/20\/robert-rauschenberg\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Robert-Rauschenberg.jpg?resize=790%2C444&#038;ssl=1\" alt=\"D\u00e9couvrez l'exposition &quot;Robert Rauschenberg: el uso de las im\u00e1genes&quot; \u00e0 la Fundaci\u00f3n Juan March de Madrid. Gratuit !\" class=\"wp-image-15501\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Robert-Rauschenberg.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Robert-Rauschenberg.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Robert-Rauschenberg.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Image-cinema.jpg?resize=790%2C444&#038;ssl=1\" alt=\"\" class=\"wp-image-15505\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Image-cinema.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Image-cinema.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Image-cinema.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<p><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/12\/17\/letranger\/\" target=\"_blank\" rel=\"noopener\"><strong>\u2192 \u201cL\u2019\u00c9tranger\u201d (\u201cEl extranjero\u201d) de Fran\u00e7ois Ozon, adapt\u00e9 du roman d\u2019Albert Camus paru en 1942<\/strong><\/a><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/12\/17\/letranger\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/LEtranger-de-Francois-Ozon.jpg?resize=790%2C444&#038;ssl=1\" alt=\"Sortie en Espagne du film &quot;L'\u00c9tranger&quot; (&quot;El extranjero&quot;) de Fran\u00e7ois Ozon, adapt\u00e9 du roman d'Albert Camus paru en 1942.\" class=\"wp-image-15482\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/LEtranger-de-Francois-Ozon.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/LEtranger-de-Francois-Ozon.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/LEtranger-de-Francois-Ozon.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<p><strong><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/12\/18\/vie-privee\/\" target=\"_blank\" rel=\"noopener\">\u2192 \u201cVie priv\u00e9e\u201d (\u201cVida privada\u201d) de Rebecca Zlotowski avec Jodie Foster dans un r\u00f4le en fran\u00e7ais<\/a><\/strong><\/p>\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/12\/18\/vie-privee\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Jodie-Foster.jpg?resize=790%2C444&#038;ssl=1\" alt=\"Sortie en Espagne du film &quot;Vie priv\u00e9e&quot; (&quot;Vida privada&quot;) de Rebecca Zlotowski avec Jodie Foster dans un r\u00f4le en fran\u00e7ais !\" class=\"wp-image-15487\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Jodie-Foster.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Jodie-Foster.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/12\/Jodie-Foster.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><strong><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/13\/la-venue-de-lavenir\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u2192 &#8220;La Venue de l\u2019avenir&#8221; (&#8220;Los colores del tiempo&#8221;) de C\u00e9dric Klapisch &#8211; Com\u00e9die dramatique \u00e0 mi-chemin entre chronique familiale et voyage temporel<\/a><\/strong><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/2025\/11\/13\/la-venue-de-lavenir\/\" target=\"_blank\" rel=\" noreferrer noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"790\" height=\"444\" src=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/La-Venue-de-lavenir.jpg?resize=790%2C444&#038;ssl=1\" alt=\"&quot;La Venue de l\u2019avenir&quot; (&quot;Los colores del tiempo&quot;). le nouveau film de C\u00e9dric Klapisch, acclam\u00e9 par le public et la critique.\" class=\"wp-image-15357\" srcset=\"https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/La-Venue-de-lavenir.jpg?w=1024&amp;ssl=1 1024w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/La-Venue-de-lavenir.jpg?resize=300%2C169&amp;ssl=1 300w, https:\/\/i0.wp.com\/profesordefrancesenmadrid.com\/wp-content\/uploads\/2025\/11\/La-Venue-de-lavenir.jpg?resize=768%2C432&amp;ssl=1 768w\" sizes=\"auto, (max-width: 790px) 100vw, 790px\" \/><\/a><\/figure>\n<\/div>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/profesordefrancesenmadrid.com\/index.php\/cultura-francesa-en-madrid\/\" target=\"_blank\" rel=\"noopener\"><strong>+ de Cultura Francesa<\/strong><\/a><\/h3>\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bonne Ann\u00e9e 2026 ! Et c&#8217;est reparti pour l\u2019agenda de la culture fran\u00e7aise \u00e0 Madrid du lundi 12 janvier au dimanche 18 janvier.<\/p>\n","protected":false},"author":3,"featured_media":15547,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[23],"tags":[930,137,901,932,1011,596,978,1008,1019,931,1037,1002,1026,979,1034,959,972,1024,973,255,533,233,818,1016,1020,1004],"class_list":["post-15546","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-francesa-en-madrid","tag-andy-warhol","tag-caixaforum","tag-desenfocado-otra-vision-del-arte","tag-exposition-gratuite-a-madrid","tag-expressionnisme-et-cinema","tag-film-francais-en-espagne","tag-francois-ozon","tag-fundacion-canal","tag-fundacion-juan-march","tag-jackson-pollock","tag-jean-dujardin","tag-jodie-foster","tag-klee","tag-letranger-le-film","tag-lhomme-qui-retrecit","tag-la-venue-de-lavenir","tag-los-colores-del-tiempo-de-cedric-klapish","tag-madrid-en-photos","tag-matisse-a-madrid","tag-monet","tag-musee-national-thyssen-bornemisza","tag-nouvelle-vague","tag-picasso","tag-robert-rauschenberg","tag-sala-canal-de-isabel-ii","tag-vie-privee"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Culture fran\u00e7aise \u00e0 Madrid - Ludovic Pedrocchi - profesordefrancesenmadrid.com<\/title>\n<meta name=\"description\" content=\"Bonne Ann\u00e9e 2026 ! 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